No more tickets for ‘Cabildo,’ being staged during FQF – Living/Lagniappe:

As dusk descended across Jackson Square on Thursday, April 16, the light softened in the courtyard of the Cabildo. On the hour, the bells of the St. Louis Cathedral offered the prelude for a magical and historic evening of music as Amy Beach’s opera “Cabildo” came home.

The one-act chamber opera, written in 1932 by the foremost female American composer of her time, received its New Orleans premiere in the very setting of the opera itself. Presented by Music @ Madewood and performed by Houston’s Opera Vista, “Cabildo” is a charming and melodic entertainment, which stands well the test of time.

It will be repeated at Saturday, April 18, at 7:30 p.m. at The Cabildo. All tickets for this performance, however, had been claimed by 9:05 a.m. this morning, Saturday, April 18.
The opera tells its story through the eyes of a group of modern visitors touring the Cabildo. As one tourist drifts to sleep on a bench in the courtyard, she dreams an elaborate sequence that tells the story of the pirate Pierre Lafitte and his escape from the Cabildo’s jail with the assistance of the ethereal presence of a former lover.

As the tour guide/barker, sung strongly by Joe White, regales the group with the tale of pirates and romance, newlywed Mary (Shelley Auer) expresses skepticism of such a sentimental attitude – before drifting off into the dream that revels in that sentimental Southern Gothic romance. She may well represent the composer herself, a staunch New Englander, seeking permission to tackle this bodice-ripping tale of buccaneers and battles.

Bass-baritone Joseph Rawley brought Lafitte to life with a vibrant charisma and deeply rich voice. Dominique You, who brings word that Lafitte has been enlisted with his brother, Jean, to aid Andrew Jackson’s troops in defense of New Orleans, was powerfully sung by tenor Daniel Buchanan.

The Lady Valerie, Pierre’s love, was utterly captivating in the hands of soprano Lynelle Rowley. The lengthy love duet she sings opposite Rawley was the vocal highlight of the night.

The jailer was well played by Dennis Arrowsmith; Auer gave the tourist Mary a lovely voice. The rest of the members of the strong ensemble are artists of the Houston-based company.

From the dancing overture, conductor Viswa Subbaraman leads the three-piece orchestra with a swashbuckling sweep, fitting to the tale and evoking a strong sound that belies the number of musicians. The music is distinctly of its time, but heard through impressionistic ears. Beach didn’t create pastiches of the dances and folk songs of the day, but reimagined them. Subbaraman moved the 45-minute work along at a steady clip.

That “Cabildo” will be repeated Saturday, April 18, in conjunction with the French Quarter Festival is indeed reason to celebrate.

We had my folks and David & Lauren & Rebekah over for dinner tonight. I grilled some steaks that Mom & Dad got at an auction in Beaumont (beautiful cuts of meat!); Anne made grilled asparagus, bake potatoes, Jello Easter Eggs, and this wonderful apple tart.

Anne's Apple Tart

Washington Times – LEESON: The benefits of failure :
LEESON: The benefits of failure
Why we should let some firms go belly up

Peter T. Leeson
Friday, April 3, 2009

In a market economy, business deaths are like death itself – an unfortunate but inevitable fact of life. However, recent government bailouts have tried to stop the inevitable by intervening in the market, at least temporarily saving failed firms from the economic grim reaper. Before putting the next failed business on life support, it’s worth remembering why it makes sense to let struggling producers expire.

• When failing businesses are allowed to fail, resources are released from employments where they don’t add value and made available for employments where they do.

Resources used for one purpose can’t be used for another. Thus, it’s important that they find their way to the purposes we value most. Enter the profit-and-loss system. Under this system, when producers use resources in ways that are consistent with our wants, they earn profits. When they don’t, they earn losses. If losses are severe enough or accumulate over time, the producers who earn them go under.

Far from cause for concern, this failure is cause for celebration. When ineffective producers fail, resources committed to producing goods we value less are freed for producing goods we value more. Polaroid’s failure released resources for the production of digital cameras; Commodore Computers’ failure released resources for the production of IBM computers; and Chi Chi’s restaurant’s failure released resources for, well, the production of food that tastes good. Who better to sacrifice the resources required to expand production of the things we want than producers of the things we don’t?

If government prevents failing producers from going out of business, resources get “stuck” in employments where they’re less productive. We can’t have as many of the products we care more about because the means needed to make them remain locked in the manufacture of products we care less about. Society suffers as a result.

• When failing businesses are allowed to fail, producers learn how to combine resources in ways that create wealth.

We take it for granted that producers know what we want. But this information doesn’t appear magically. It has to be produced. The profit-and-loss system produces this information – but only when government lets failing businesses fail.

Profits and losses do for producers what traffic signals do for drivers. They tell them when to “go,” “slow down” and “stop” their productive activities. By communicating which resource combinations consumers value most and which they don’t, profits and losses direct “economic traffic,” informing producers how to produce.

If government prevents ineffective producers from failing, the red light on the “economic traffic signal” stops working. Production continues and resources flow when they should halt, destroying wealth instead of creating it.

• When failing businesses are allowed to fail, producers have incentives to combine resources in ways that create wealth.

The profit-and-loss system works because successful producers reap rewards when they combine resources effectively and unsuccessful producers incur costs when they don’t. The prospect of profits from making good decisions and losses from making bad ones encourages producers to make choices that improve our lives.

But if government shields ineffective producers from the consequences of their bad decisions, producers’ incentives become skewed. For instance, when policy permits producers to enjoy the benefits of successful risk-taking but subsidizes the losses of unsuccessful gambles, producers have an incentive to take on more risk than they should. Since they’re no longer responsible to consumers when they make poor choices, the link connecting producers’ and consumers’ interests is weakened and, with it, the economy’s ability to advance.

At a time when failure is the new dirty word and government seems willing to prop up floundering firms at any cost, we would do well to remember the benefits of letting failing businesses go belly up.

Peter T. Leeson is BB&T Professor for the Study of Capitalism at George Mason University and author of the new book, “The Invisible Hook: The Hidden Economics of Pirates.”.

We Are Very Concerned About the Anger We’re Fomenting, by Matt Welch (Reason: Hit & Run):

I suspect that what the administration might really be worried about is that there’s a glaring contradiction at the intersection of its messaging and policy. Officials talk like they’re really gonna stick it to AIG this time, then they ladle out another $20 billion. You want to punish a banker or a Wall Street executive? Let his company fail. And if he’s broken the law, prosecute him.

“Penny-wise, pound-foolish” comes to mind. But whereas there were 240 pence in the old pound, it is pretty sad that the “penny” of this story – $165 million – is much less than 1/240 of the $85 billion that has been handed to them already, and unfortunately, not likely the last.

Inappropriate Stimulation, by Mario Rizzo at ThinkMarkets:

What is happening is a massive re-allocation of resources mainly due to the excessively low interest rate policy of the past few years – but also partly due to certain sectoral shifts. The American car manufacturers, for example, are suffering both from the contraction in credit and from their own long-term inefficiencies.

The fiscal stimulus program is designed to stimulate where economic activity has deteriorated and there are job losses. Many of these areas are those that had over-expanded. As we have been saying for some time on the blog, the effect of this kind of stimulation is to slow down the re-allocation of resources. It will not succeed, however, in preventing it. What it will do is prolong the recession.